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A tribute on Rafi’s death anniversary July 31 There is one thing common between Mohammad Rafi and SD Burman. If Rafi was the most versatile singer, SD Burman. Hindi Music Catalog, Browse Hindi albums starting with A, Listen to Hindi songs online, Hindi Music from India, Full Hindi song MP3 downloads. Hindi Movie Index – A We don’t host any of the videos that are available on this website. We just link them from popular sources on the internet like youtube and. ![]() Ray DVDscr 7. 20. P 1. 08. 0p MP4 MKV Movies Watch. Download Free Mp3 Songs of Indian Movies Latest Bollywood Mp3 Songs Tamil Pakistani And New Punjabi Mp3 Songs. Watch Ramaiya Vastavaiya 2013 Online Full Movie Free DVDRip, Ramaiya Vastavaiya Full Movie Watch Online, Download and Watch Online Latest Hindi HD HDrip BluRay DVDscr. Filmy. Click Here To Report If Video Not Working OR Bad Video Quality OR Any Other Issue. Movie Information. A young man (Girish Kumar) will be allowed to marry the sister of a Punjabi farmer if he produces enough seed on their fields. Director: Prabhu Deva. Starring: Girish Kumar, Shruti Haasan, Sonu Sood. Rafi’s best songs by SD Burman. A tribute on Rafi’s death anniversary July 3. There is one thing common between Mohammad Rafi and SD Burman. If Rafi was the most versatile singer, SD Burman was the most versatile composer. He is the only music director who can claim to have composed equally great music with Rafi as with Kishore Kumar, his two main singers. There were also films in which he used the voice of Hemant Kumar for Dev Anand, when he composed unparalleled songs like Ye raat ye chandni phir kahan. And whenever he used Manna Dey, Talat Mahmood and Mukesh, he created songs which became landmarks of their career. SD Burman was eighteen years older to Rafi, but debuted as a composer in Hindi films (in 1. Rafi’s debut as a playback singer. Their association started very early – I find a Rafi song composed by SD Burman in Do Bhai (1. Thereafter, he used his voice in several films, but it would not be until a decade later, i. Pyasa. In this interregnum of ten years, SD Burman’s work is more noteworthy for his songs by female singers. As for male singers, he composed some great songs by Hemant Kumar, Talat Mahmood, even Kishore Kumar and Mukesh. Rafi, though getting some songs from time to time, remains comparatively unnoticeable. But post 1. 95. 7, you get Rafi gems one after another in Kala Pani (1. Insan Jaag Utha, Kagaz Ke Phool (1. Bambai Ka Babu, Kala Bazar (1. Meri Surat Teri Ankhen, Tere Ghar Ke Samne (1. Guide , Teen Deviyan (1. Post- Aradhna (1. Kishore Kumar had a new avatar and zoomed like a meteor, SD Burman used Rafi till the very end. Who was SD Burman’s favourite singer – Rafi or Kishore Kumar? You won’t get an answer in statistics – the two are generally comparable – 4. Rafi solos versus 5. Kishore Kumar as per Mr Arunkumar Deshmukh at Atul’s site. The warriors on two sides often get into violent clashes. I would avoid that territory. Only SD Burman knew the answer to this question. As a music lover when I look at the Rafi songs of the abovementioned films, I feel as if a sculptor had crafted these songs with great care, and Rafi put soul into them with equal feeling. SD Burman knew those special situations when no one else but Rafi could deliver what he wanted. I did my last post on Geeta Dutt’s best songs by SD Burman. Continuing my series on SD Burman with other great singers, I present some Rafi songs by him as my tribute to Rafi on his 3. July 3. 1). 1. Duniya mein meri aaj andhera hi andhera from Do Bhai (1. Raja Mehdi Ali Khan. This must be the first song by Rafi under the baton of SD Burman. I am giving this not only because of its historical importance, but also because it is quite nice and has the hallmark of Rafi style as early as 1. The song has gone into oblivion, and I heard it for the first time while searching for this post. It deserves to be resuscitated. Ye mahlon ye takhton ye taajon ki duniya from Pyasa (1. Sahir Ludhiyanvi. I mentioned sculpture while describing Rafi- SD Burman songs. Now we come to this piece of art. Not only the movie Pyasa, and its director Guru Dutt, by far the most written about and respected Hindi film ever, but also the poetry of Sahir Ludhiyanvi – rarely you describe a film song as poetry. Sahir was never more hard- hitting, more angry and searing than in Pyasa. And SD Burman’s music – he never crafted a song with more care. And Rafi’s rendering virtually without any support of instruments – no one else could have done it. In the climax of the movie, Guru Dutt (poet Vijay) walks in the auditorium where the cynical publisher Rahman, who had trashed his poetry and also married his beloved, Mala Sinha, is presiding over his Barsi (first death anniversary), eulogizing him as his collection of poems has become a roaring success for his publishing house. The poetry of Sahir is worth savouring, followed by its excellent translation by Madhu (Dustedoff). And talking about the versatility of SD Burman and Rafi, readers would recall this movie also had Tel malish, Sar jo tera chakraye picturised on Johnny Walker. Yeh mahalon yeh takhton yeh taajon ki duniya. Yeh insaan ke dushman samaajon ki duniya. Yeh daulat ke bhooke rawaajon ki duniya. Yeh duniya agar mil bhi jaaye toh kya hai. Har ek jism ghaayal, har ek rooh pyasi. Nigaahon mein uljhan, dilon mein udaasi. Yeh duniya hai ya aalam- e- badhawaasi. Yeh duniya agar mil bhi jaaye toh kya hai. Yahan ik khilona hai insaan ki hasti. Yeh basti hai murdaaparaston ki basti. Yahaan par toh jeevan se hai maut sasti. Yeh duniya agar mil bhi jaaye toh kya hai. Jawaani bhatakti hai badkaar ban kar. Jawaan jism sajte hain bazaar ban kar. Yahaan pyaar hota hai vyopaar ban kar. Yeh duniya agar mil bhi jaaye toh kya hai. Yeh duniya jahaan aadmi kuchh nahin hai. Wafaa kuch nahin dosti kuchh nahin hai. Jahaan pyaar ki qadr hi kuchh nahin hai. Yeh duniya agar mil bhi jaaye toh kya hai. Jalaa do ise phoonk daalo yeh duniya. Mere saamne se hata lo yeh duniya. Tumhaari hai, tum hi sambhaalo yeh duniya. Yeh duniya agar mil bhi jaaye toh kya hai. This world of palaces, of thrones and of crowns. This world of societies inimical to man. This world of traditions that hunger for wealth. Even if one were to obtain this world, what would it matter? Each body wounded, each soul thirsting; Perplexity in each gaze, sorrow in each heart. Is this a world, or a universe of confusion? Even if one were to obtain this world, what would it matter? Here, man’s existence is a mere toy; This settlement is peopled by the worshippers of the dead. Death here is cheaper than life. Even if one were to obtain this world, what would it matter? Youth wanders here, seeking to slake its lust. Young bodies are adorned to be sold. Love here takes on the form of trade. Even if one were to obtain this world, what would it matter? This world, where man is nothing. Where loyalty is nothing, friendship is nothing. Where the importance of love is nothing. Even if one were to obtain this world, what would it matter? Burn this world, send it up in smoke. Remove this world from before me. It is yours, this world: you look after it! Even if one were to obtain this world, what would it matter? Hum bekhudi mein tumko pukare chale gaye from. Kala Pani (1. 95. Majrooh Sultanpuri. Crafting with care, again! And there was a reason too. This song has a special pedigree, as it is based on SD Burman’s Bengali song Ghum bhulechhi(“I stay awake all alone in this night”). To accentuate the hero’s sadness, see how Rafi stretches each syllable with care. And minimal orchestration – Rafi is the Master of such songs. Dekhi zamane ki yari bichhade sabhi baari baari from Kagaz Ke Phool (1. Kaifi Aazmi. Kagaz Ke Phool is the second masterpiece of Guru Dutt; many people reckon it greater than Pyasa. At one level there is similarity between the themes of the two movies – the suffering an uncompromising artist (poet in one, film director in the other) undergoes in the selfish and cynical world which values commercial success more than intrinsic merit. This was an overtly autobiographical film, which was not a commercial success, but rated as one of the greatest classics. As Sinha Saheb (Guru Dutt), once famous, now a . Wonderful poetry by Kaifi Azmi, and minimal orchestration again by SD Burman – when you are crafting something with care, you don’t want too many colours to distract from the beauty of the sculpture. The song later diffuses into flashback of his glorious days when he was mobbed by admiring fans, scrambling for his autograph, swaying now to a fast chorus with completely different words. The picturisation is another superb example of Guru Dutt’s fascination with light and shades. Hum tum par hain dil se fida from Bewaqoof (1. Majrooh Sultanpuri. Let me move from serious to a light- hearted romantic song picturised on IS Johar in the laugh- riot Bewaqoof. Besides the roaringly funny scenes of IS Johar and Kishore Kumar making a fool of Pran in the boxing ring, a quirky feature of the movie was that all its lead actors had the same screen names as their real names – Pran was Pran, IS Johar was Johar, Kishore Kumar was Kishor, and Mala Sinha, Miss Mala. Khoya khoya chand from Kala Bazar (1. Shailendra. A dejected Dev Anand of Hum bekhdi mein to a happy Dev Anand in Khoya khoya chand – SD Burman and Rafi depict varied hues of the great romantic hero in another successful Navketan offering. Nache man mora magan tig da dhigi dhigi from Meri Surat Teri Ankhen (1. Shailendra. This one is specially for Subodh, who drew my attention to the outstanding tabla piece in the song. But there is much more – wonderful singing by Rafi, lip synched by the . This one is one of my greatest Rafi- SD Burman favourites. Dil mein ek jaane tamanna ne jagah payi hai from Benazir (1. Shakeel Badayuni. Benazir is one of the less acclaimed movies of Bimal Roy, and consequently its music is also often ignored. But Dil mein ek jane tamanna ne jagah payi hai is one of my favourite Rafi- SD Burman songs. One way to enjoy its beauty is to close your eyes and imagine Dev Anand, instead of Shashi Kapoor, singing it on the screen. Din dhal jaye aur raat na jaye from Guide (1. Shailendra. Guide is an acclaimed masterpiece of Navketan films, the best of Dev Anand’s acting and probably the best of Vijay Anand’s direction. SD Burman matches with his superlative music. I am sure many would have squirmed, and Shankar Jaikishan would themselves have been embarrassed when their Suraj . Talking of SD Burman’s choice between Kishore Kumar and Rafi, he gave Kishore Kumar a duet in this movie with Lata Mangeshkar, Gata rahe mera dil, but all the three solos were by Rafi – the other two being Tere mere sapne ab ek rang hain and Kya se kya hp gaya. Among the three, Din dhal jaye is my special favourite because of the wonderful musical pieces in the interludes. Kahin bekhayal ho kar yun hi chhoo liya kisi ne from Teen Deviyan (1. Majrooh Sultanpuri. I started with the theme of . I end with this wonderful song because it gives me the same feeling of .
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